Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
There are pages here to rival even Bernstein. Come the finale, Slatkin well and truly throws down the gauntlet: his...
Reviewed by Edward Seckerson in issue: 2/1991
Besides the three listed comparisons for the Rococo Variations I must remind readers of an early Chandos CD in which...
Reviewed by Ivan March in issue: 10/1990
I reviewed Daniel Barenboim's account of the complete Mozart piano concertos with the English Chamber Orchestra (EMI) in June last...
Reviewed by Christopher Headington in issue: 4/1991
The first 15 items of this wonderful CD are taken from a Paris broadcast, the remaining nine from a relay...
Reviewed by Alan Blyth in issue: 11/2003
To appreciate best the quality of the Westminster Singers (whom we have hitherto heard only in English music), turn first...
Reviewed by Lionel Salter in issue: 2/1993
Han-Na Chang has so far impressed on disc mainly in the intense and craggy expressive worlds of Prokofiev and Shostakovich,...
Reviewed by Lindsay Kemp in issue: 1/2009
With Volume 8 of the piano music of Villa- Lobos, Sonia Rubinsky reaches a triumphant end to a long, complex...
Reviewed by Bryce Morrison in issue: 4/2009
The distinctive thing about Christopher Hogwood's accounts of Beethoven's Seventh and Eighth Symphonies is that in comparison with the rival...
Reviewed by Richard Osborne in issue: 2/1990
Jacques Duphly is best known to harpsichordists for the four collections of harpsichord pieces he published in Paris between 1744...
Reviewed in issue 6/1993
Rameau published his Pieces de clavecin en concerts in 1741. Although he went to some pains to demonstrate that they...
Reviewed by Nicholas Anderson in issue: 9/1992
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.