Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
In this recording the Orlando Consort have made a substantial contribution to the corpus of English medieval music available on...
Reviewed by mberry in issue: 8/1993
If the Beaux Arts had merely offered us a transfer of their 1967-made recording of Mozart's piano trios, two CD's...
Reviewed by Joan Chissell in issue: 11/1988
Jennifer Koh made a positive impression on disc with her Chandos recording of Menotti’s Violin Concerto. Here she offers an...
Reviewed by Edward Greenfield in issue: 13/2004
Telemann enthusiasts will be delighted by some things on this new disc from Philips but rather less so by others...
Reviewed by Nicholas Anderson in issue: 8/1988
These were two of Sir Thomas Beecham's favourite symphonies, and I can well imagine him cocking an approving ear towards...
Reviewed by Richard Osborne in issue: 11/1995
A few years ago Wilfred Mellers said: ‘Beethoven, whom we conventionally associate with Teutonic introspection and angst, is also by...
Reviewed by Nalen Anthoni in issue: 7/2005
These delectable divertimentos were but two of about ten such works Mozart wrote at the age of 20—in which year...
Reviewed by Lionel Salter in issue: 1/1989
Musically this is surely the best of those operas mostly conducted by Gardelli, which were discoveries for many of us...
Reviewed in issue 11/1989
A good idea, this – at least in principle. Two gifted near-contemporaries (both died in 1959, though Bloch was the...
Reviewed in issue 2/1996
In the days before radios and recordings, the only way to rehear music that you had enjoyed at a concert...
Reviewed by Stanley Sadie in issue: 7/1999
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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