Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Just over five years ago EMI published their great Battistini edition ((LP) EX290790-3, 7/86), but it was evidently too good...
Reviewed in issue 2/1992
Franck's solo keyboard music is very difficult to play, but in none of the usual virtuoso ways. Its beautifully moulded...
Reviewed by Michael Oliver in issue: 9/1989
Olga Neuwirth has lately emerged among the most uncompromising younger European composers – nowhere more so than in Bählamms Fest...
Reviewed by Richard_Whitehouse in issue: 6/2004
Liszt’s performance of Carnaval led Schumann to say that he ‘failed to take into consideration that the musical moods change...
Reviewed by Nalen Anthoni in issue: 1/2005
One is asked here to pay something in the region of £25·00 for a pair of CDs that essentially commemorate...
Reviewed by Ivan March in issue: 9/1992
Unusually so for a Munch performance, this 1962 Pathetique lacks something in sheer dynamism and emotional ardour. With the great...
Reviewed by Andrew Achenbach in issue: 8/1993
Sound-wise, Haitink's Schumann is all spring blossoms and rich oils; a luminous, warm-centred production greatly aided by a generous acoustic...
Reviewed in issue 7/1994
Although it has taken almost 12 years for this second volume in John Scott’s survey of Dupre’s organ music to...
Reviewed by Marc Rochester in issue: 13/1998
María Bayo is a soprano of taste and intelligence whose recorded repertory ranges from Cavalli to Canteloube with some fairly...
Reviewed in issue 2/2002
Michael Stegemann, in his note, makes a claim for Krommer being in his clarinet works more than ''a prolific producer...
Reviewed by John Warrack in issue: 7/1989
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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