Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Piatigorsky is given the chief billing here, but in fact it is the two conductors who dominate the proceedings. Munch...
Reviewed in issue 10/1993
When Bach first wrote the Inventions (originally differently titled) in Wilhelm Friedemann's Clavierbuchlein he placed them in order of complexity...
Reviewed by John Duarte in issue: 3/1987
Grieg's Op. 7 is his only sonata for the piano, and the Op. 36 his only sonata for the cello....
Reviewed by Joan Chissell in issue: 11/1994
The Façade entertainment – poems by Edith Sitwell to music by the thenunknown William Walton – was an amorphous creation‚...
Reviewed in issue 9/2001
Interpolated among a highly individual, challenging and variable Bach cantata series, these Brandenburgs appear as fresh, often supremely sensitive, yet...
Reviewed by Jonathan Freeman-Attwood in issue: 11/2010
This anthology represents Purcell's inventive word-setting better than any other I know. The performances seem to me convincingly close to...
Reviewed in issue 3/1987
Nikolai Lugansky is a 27-year-old pianist with golden-boy looks who reminds us in his enviably fleet and masterful survey of...
Reviewed by Bryce Morrison in issue: /2000
Cho-Liang Lin's performances were highly praised when they were first issued, and rightly so. They make a superb mid-price coupling...
Reviewed by Ivan March in issue: 3/1991
Graham Trew is by now very experienced in this repertoire, roughly English song of the earlier part of the century....
Reviewed in issue 10/1984
A distinguished Ninth; Hickox's new recording is a salutory reminder that a conventionally paced performance on modern instruments can be...
Reviewed by Stephen Johnson in issue: 3/1989
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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