Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
I found Viktoria Mullova's performance of the Bach B minor Partita quite enthralling throughout. Without ever minimizing the resources of...
Reviewed by Michael Oliver in issue: 9/1988
There can be no doubt that Sinatra reached his peak with the recordings he made for Capitol with Nelson Riddle...
Reviewed in issue 3/1998
For those who like to put composers into neat pigeonholes Hummel has always presented a problem – he dwelt on...
Reviewed by John Duarte in issue: /2000
''Everybody knows, or at least thinks he knows, the composer Jean Wiener,'' says the sleeve-note, a trifle optimistically. Well, it...
Reviewed in issue 3/1987
Recordings of the Missa solemnis have previously been categorised as the very few we might call ‘great’ and the others...
Reviewed by John Steane in issue: 4/2004
This is a most welcome reissue of some of the most attractive British music of the period in fine performances....
Reviewed by Peter Dickinson in issue: 8/1994
Villa-Lobos’s music for violin and piano is notably derivative of the fin de siecle French schools, Faure especially, though the...
Reviewed in issue 2/1999
Ending with the Sonata, the programme seems exactly right; for here Berkeley writes with a wider and deeper aim than...
Reviewed in issue 6/1989
Volume 6 of Antonio Florio and Cappella de’ Turchini’s ambitious survey of the finest baroque Neapolitan music returns to the...
Reviewed by Jonathan Freeman-Attwood in issue: 6/1999
Inbal’s Shostakovich cycle is an acquired taste. Some listeners find only a pale facsimile of the original scores – denatured...
Reviewed in issue 4/1996
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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