Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
A statue that moves, a girl dancing herself to death, balletic tennis players and a lovestruck cardboard soldier all rub...
Reviewed by Harriet Smith in issue: 11/2010
“Singers to remember” is the title of the series in which this recital must surely have a specially honoured place....
Reviewed by John Steane in issue: 1/2007
The Arditti Quartet have recorded Ligeti’s two numbered quartets before, for Wergo (8/89). This time round they’ve added the tiny...
Reviewed in issue 1/1997
What, a Third Cello Sonata by Brahms? Sorry to disappoint you, but the Sonata in D is in fact a...
Reviewed by James Methuen-Campbell in issue: 12/1993
It sometimes seems as if Pierre Boulez has spent a lifetime paying the penalty for having found composition so easy...
Reviewed by Arnold Whittall in issue: 11/1995
‘Arie Amorose’ was the title of a lovely album recorded by Janet Baker with the Academy of St Martin in...
Reviewed in issue 6/2001
This recording of Messiah dates from the mid-1960s and, in comparison to some versions currently in the catalogue, sounds rhythmically...
Reviewed by Nicholas Anderson in issue: 8/1993
At last we have a long awaited replacement to Richard Rodney Bennett's (almost) identical EMI Gershwin collection (8/81—nla) which has...
Reviewed by Michael Stewart in issue: 1/1991
Six of Bach's church cantatas are collected in Vol. 39 of Teldec's series and following the customary pattern the music...
Reviewed by Nicholas Anderson in issue: 9/1987
Here is a recording of Rebel’s programmatic orchestral suite with a difference. It takes the 1737 printed source at face...
Reviewed by Julie Anne Sadie in issue: 5/2004
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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