Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Thea King and Clifford Benson, issued last year, are now challenged by Gervase de Peyer and Gwenneth Pryor, whose Chandos...
Reviewed by Joan Chissell in issue: 3/1988
This latest version of what is surely Handel’s finest opera – to my mind, the finest of all Baroque operas...
Reviewed by Stanley Sadie in issue: 11/2003
With its sentimental title, this collection is clearly aimed at the wider market-place. But the programme is perceptively chosen to...
Reviewed by Ivan March in issue: 11/2007
The star of the 76-year-old French composer Henri Dutilleux is definitely in the ascendant. Hot on the heels of a...
Reviewed in issue 10/1992
When a record company offers yet another recording of a work of which there are as many versions as there...
Reviewed in issue 4/1985
For over half a century Lukas Foss has been an admirable figure in American musical life as composer, conductor, pianist...
Reviewed in issue 7/2001
At the moment, Pachelbel is represented in the catalogue by 'that' canon (of which I see, to my stupefaction, that...
Reviewed by Lionel Salter in issue: 7/1994
It is not hard to understand what the audience at Munich’s National Theatre had to cheer about on November 24,...
Reviewed by Richard Fairman in issue: 9/2011
Calling Bruckner’s Study Symphony in F minor ‘No. 00’ has always struck me as being both silly and cruel. It...
Reviewed by Richard Osborne in issue: 5/1999
I am not quite sure what ''Humoresque'' actually means; but although it certainly serves for identification, it only doubtfully describes...
Reviewed in issue 7/1990
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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