Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
The EMI Double Forte series has always been excellent value, a pair of CDs being offered for the cost of...
Reviewed by Ivan March in issue: 9/2000
We have been in need of a satisfying version of this oratorio in English. The recent Hickox version (Chandos) failed...
Reviewed by Alan Blyth in issue: 10/1992
These are immensely likeable performances, with everything clear and well-balanced, and the expansive, confident style of early Beethoven well conveyed,...
Reviewed by DuncanDruce in issue: 7/2003
Here is a tribute to Liszt’s multi-faceted genius as scintillating as it is dark-hued. The first volume of a complete...
Reviewed by Bryce Morrison in issue: 6/1997
Publishers publish ‘study’ scores, but no marketing guru has ever come up with the idea of the ‘study’ recording. They...
Reviewed in issue 5/2001
Writing to a friend in October 1848, Schumann confessed that the 43 little pieces of Album fur die Jugend had...
Reviewed by Joan Chissell in issue: 9/1990
Alfred Hill (1870-1960), the Australian composer whose music is virtually unknown here, was a musician who was thoroughly grounded in...
Reviewed in issue 3/1986
Should we sense the end of Die schöne Müllerin in its beginning? For Matthias Goerne, from the outset a disturbed,...
Reviewed by Richard Wigmore in issue: 2/2006
The name of Sofia Gubaidulina has been heard more and more often in the West in the last few years,...
Reviewed by Michael Oliver in issue: 9/1989
Anyone looking for a forgotten but amiable mid-19th century English composer who wrote music in the shadow of Mendelssohn, need...
Reviewed by Ivan March in issue: 1/2005
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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