Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
The game of musical enciphering, seemingly started by Bach, the letters of whose name could be read as notes, was...
Reviewed by Lionel Salter in issue: 9/1988
It makes an apt and generous coupling to have the Faure Requiem alongside the closely related Durufle work. Though soloists...
Reviewed in issue 3/1999
Spanning some 20 years, this generously filled disc includes anthems, a setting of the Mass, and Advent and Christmas carols....
Reviewed by Malcolm Riley in issue: 11/2010
Hitherto Sibylla Rubens has been mainly known for her well-groomed contributions to several discs of Bach cantatas where her pure,...
Reviewed by Alan Blyth in issue: 2/2004
It is my practice when listening to some recitals to place a blob by any piece I want to refer...
Reviewed by Alan Blyth in issue: 3/1994
As the heading reveals, the San Francisco-based Women's Philharmonic Orchestra recently won an award enabling them to record a two-volume...
Reviewed by Joan Chissell in issue: 2/1993
Informed French opinion rates Penelope as a high point in the history of its native opera, not far behind Debussy's...
Reviewed by Lionel Salter in issue: 4/1992
So celebrated has Michael Nyman become as a composer for the screen that it's easy to underestimate the extent of...
Reviewed in issue 8/1991
In his autobiography, A Double Life (Midas Books: 1982) Rozsa proudly declares that ''the music of Hungary is stamped indelibly......
Reviewed by rseeley in issue: 11/1995
Jürgen Flimm’s staging for Zurich Opera commands attention for its deep but never too interventionist probing into the psychology of...
Reviewed in issue 9/2002
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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