Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Four of the symphonies on Marriner's disc were written when Mozart was 17, though not in the order which their...
Reviewed by Lionel Salter in issue: 12/1988
While the 'authentic' approach to recent Mozart recordings has given much pleasure, the ECO make a convincing argument in every...
Reviewed in issue 7/1985
Has CD solved the problem of instrumental balance in music like this? The above issue suggests as much, for both...
Reviewed in issue 4/1985
For the uninitiated, Michael Bolton, a pop singer whose heartfelt vocal style would seem to imply a possible sympathy for...
Reviewed by jjolly in issue: 7/1998
This disc is worth considering at the price but I am not persuaded that it is a Naxos triumph. While...
Reviewed in issue 7/1997
Arensky’s Piano Concerto has never enjoyed a particularly good press, and given its near-plagiaristic closeness to Liszt and Chopin it...
Reviewed by David Fanning in issue: 7/2009
An outstanding performance. Solti, often a conductor whose good intentions are marred by an excess of tension in his character,...
Reviewed in issue 8/1985
Let us invoke Christ already appears in the catalogue in a stirring performance by the work’s dedicatee, John Scott and...
Reviewed by Marc Rochester in issue: 8/1996
As one might expect of Tennstedt, this is a vital and generous-spirited account of Bruckner’s Seventh, though the style of...
Reviewed by Richard Osborne in issue: 3/2008
Ugorski's flights of imagination are heard to far better advantage in Schumann than in Beethoven (see reviews 4/92 and 2/93)....
Reviewed in issue 10/1993
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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