Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Walter Leigh's discography, has seldom extended, at any one time, much beyond the Harpsichord Concertino, a favourite piece for many...
Reviewed in issue 8/1985
Polyansky provides a splendidly passionate and invigorating introduction to music that we really should know better in the West. The...
Reviewed by John Warrack in issue: 11/2002
There is no shortage of fine cellists making records at the moment‚ but few if any of them have a...
Reviewed in issue 12/2001
A testament is often a very personal matter and this addition to the enterprising Testament catalogue has a strongly personal...
Reviewed in issue 6/1998
The beauty of these readings is that, in musical terms, they mean what they say. There is no hint of...
Reviewed in issue 4/1998
This newest disc in Malcolm Bilson's Mozart concerto series—the penultimate one—includes along with two of the less remarkable works, the...
Reviewed by Stanley Sadie in issue: 8/1989
This inviting collection of music by arguably our greatest living composer opens with a fittingly witty and exuberant account of...
Reviewed by Ivan March in issue: 1/1999
The late-baroque composer, Georg Bohm, was one of the leading German organists of his day. Like Buxtehude and Pachelbel he...
Reviewed by Nicholas Anderson in issue: 9/1993
When I reviewed the companion disc to this one (9/92), I thought the playing of these two experienced pianists offered...
Reviewed by Christopher Headington in issue: 5/1993
Why compose by computer? Isn't the result certain to be arid and mechanical? Not if you are Jonathan Harvey. His...
Reviewed by Arnold Whittall in issue: 11/1992
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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