Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Sarah Connolly’s beautifully sung Frauenliebe und -leben often called to mind Janet Baker’s early recording with Martin Isepp (Regis). From...
Reviewed by Richard Wigmore in issue: 11/2008
It seems more than a little strange that the American clarinettist, Charles Neidich (winner of several prestigious prizes), should be...
Reviewed by Joan Chissell in issue: 9/1992
Ansermet gave Glazunov's The seasons ballet its stereo debut and revealed what a vivid and tuneful score it is, almost...
Reviewed by Ivan March in issue: 12/1991
A most valuable addition to the Schumann CD discography. This new recording of the Concerto is more generously and logically...
Reviewed by Robert Layton in issue: 3/1987
For some Valery Gergiev’s dark, pumped-up Seventh might prove to be the high-point of his Mahler cycle. True, the over-the-barricades...
Reviewed by David Gutman in issue: 10/2008
There are many strong candidates for inclusion in a Van Cliburn retrospective such as this; but the Rachmaninov/Tchaikovsky conjunction is...
Reviewed in issue 1/1999
For those whose first exposure, like mine, to Kimmo Hakola’s music was through his earlier, experimental manner (as in his...
Reviewed by Guy Rickards in issue: 5/2006
Laurence Cummings, a 26-year-old ex-organ scholar at Christ Church, Oxford, has been heard in some Frescobaldi organ pieces on a...
Reviewed by Lionel Salter in issue: 3/1995
Have you ever wanted to hear Chopin’s Fantaisie-Impromptu played on the marimba? Here’s your chance, although you’ll have to accept...
Reviewed by Jed Distler in issue: 5/2007
Telemann's 12 Fantaisies for unaccompanied flute have been well represented in the catalogue in recent years. Two versions are currently...
Reviewed by Nicholas Anderson in issue: 6/1993
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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