Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Stuart Canin hails from New York and is a Galamian pupil. He won the Paganini Violin Competition in Genoa 35...
Reviewed by Robert Layton in issue: 1/1997
It was a happy idea to preface Apollo e Dafne‚ which lacks an overture‚ with the first movement of the...
Reviewed in issue 1/2002
It would be unkind to suggest that the title and the circumstances of its first performance are the most interesting...
Reviewed in issue 2/1988
Every so often a player appears who places the recorder back into the spotlight and unveils once again the diversity...
Reviewed by Michael Stewart in issue: 13/1999
Riccardo Muti’s 1974 studio recording‚ with Caballé‚ Cossotto and Domingo‚ has been one of the steady recommendations for this work...
Reviewed in issue 13/2002
Elverskud is translated on this issue as Elf-shot. An earlier recording by the Royal Danish Orchestra under Johan Hye-Knudsen issued...
Reviewed by Robert Layton in issue: 11/1992
It’s a dozen years or so since the Ferrara Ensemble last indulged us with its own inimitable take on the...
Reviewed by Fabrice Fitch in issue: 11/2010
The Monnaie is a children’s choir trained especially for duty in the opera house but also for a wider musical...
Reviewed by John Steane in issue: 8/2005
Here is a thoroughly enjoyable recital from the extremely accomplished team of violinist Anne Akiko Meyers and pianist Andre-Michel Schub....
Reviewed by Andrew Achenbach in issue: 8/1996
Terje Rypdal, the Norwegian electric guitarist born in 1947, has been writing symphonic music for more than 20 years. The...
Reviewed by Arnold Whittall in issue: 8/1993
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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