Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
The greatest of Leider’s Wagnerian solos are here, and she, in the opinion of many, was the greatest of Wagnerian...
Reviewed in issue 2/1996
In 1955 Adam Harasiewicz won first prize in the Warsaw International Chopin Competition. Ashkenazy came second. The decision puzzled those...
Reviewed by Bryce Morrison in issue: 2/2011
RCA have already issued Toscanini’s 1949 studio recording of the Eroica as part of their complete Beethoven symphony set ((CD)...
Reviewed in issue 10/1992
I've spent some time trying to work out why this set left me with such negative feelings. The playing has...
Reviewed by Stephen Johnson in issue: 10/1991
There’s little hint here of the escapist aura that frames most of Rautavaara’s recent orchestral work. Latest to arrive is...
Reviewed by Rob Cowan in issue: 11/2000
Mozart’s Kegelstatt Trio comes off especially well here – a most affectionate, notably poised rendering. Pianist Wolfgang Kuhnl’s limpid contribution...
Reviewed by Andrew Achenbach in issue: 9/1998
Rostropovich's Erato version of War and Peace first appeared in 1989, and was welcomed by L S with few reservations....
Reviewed by John Warrack in issue: 6/1993
Few major contemporary composers have met with such a mixed response as Krzysztof Penderecki, but then few have produced quite...
Reviewed by John Allison in issue: 3/2005
Hänssler tells us nothing in their documentation about the provenance of these extracts from works by Handel and Bach, but...
Reviewed by Alan Blyth in issue: 4/2003
Shostakovich's Fourth was conceived explicitly as his symphonic credo; it ended up, implicitly, as his de profundis clamavi. It is...
Reviewed in issue 6/1992
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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