Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
It is indeed a long while from May to December, and Sir Tom, now inevitably in the September of his...
Reviewed by po'connor in issue: 6/2008
Far from the ruminating concentration of Bach's alto cantatas, these shorter examples expose the pragmatic side of Europe's most naturally...
Reviewed by Jonathan Freeman-Attwood in issue: 3/2007
All credit to the Germans for continuing to treasure this opera alongside Verdi’s later version of the Falstaff story. Nicolai’s...
Reviewed by Andrew Lamb in issue: 12/1998
Karl Muck was undoubtedly one of the greatest Wagnerian conductors of all time: the precious few records he made towards...
Reviewed in issue 4/1990
Both these titles were produced by MGM as remakes from their classic back catalogue. Bounty (1962) was riddled with strife...
Reviewed by Adrian Edwards in issue: 3/2007
Monteverdi has been well served on record of late, though it is sobering to think that in an age of...
Reviewed by Jonathan Freeman-Attwood in issue: 2/1997
The only Estonian composers we know here are Eduard Tubin and Arvo Part. Both were pupils of Heino Eller, as...
Reviewed by Robert Layton in issue: 10/1987
This is a most elegant version of these stirring works. The chorus, clearset against the orchestra, moves with the same...
Reviewed in issue 11/1985
Few musical partnerships have elicited such divergent critical opinions as Maurizio Pollini and Claudio Abbado in Brahms’s two piano concertos....
Reviewed by Rob Cowan in issue: 8/2000
Bruckner from St Florian, with trebles taking the upper parts – what could be more authentic? Yet there are problems,...
Reviewed by kYlzrO1BaC7A in issue: 7/1998
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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