Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
This recital structures a programme ranging though four centuries on a perennial theme, that of gardening (both in its own...
Reviewed by Fabrice Fitch in issue: 9/2006
This will, almost certainly, be one of my records of the year. For a long time critics have urged companies...
Reviewed by Alan Blyth in issue: 9/1984
Pianist Michael Boriskin is the director of Copland House (www.coplandhouse.org), which was the composer’s home in Cortlandt Manor, New York,...
Reviewed by Peter Dickinson in issue: 1/2005
Valery Gergiev admitted recently (before conducting the performance available on LSO Live – 8/08) that of all Mahler’s symphonies he...
Reviewed by Peter Quantrill in issue: 11/2010
Alexeev takes only 1'48'' over the so-called 'Minute' Waltz as against Ashkenazy's 1'50'', and is also slightly faster in a...
Reviewed by Joan Chissell in issue: 3/1987
If the idea of hearing this programme in a large church appeals—in this case, St Barnabas, Mitcham—then here is a...
Reviewed by John Steane in issue: 6/1994
It seems only yesterday that I was reviewing reissues of Cortot’s Schumann on both Dante and Biddulph (6/92). Here are...
Reviewed by Bryce Morrison in issue: 1/1996
This is like a day that starts so freshly (albeit with serenade rather than aubade) that you feel it must...
Reviewed in issue 12/1996
There is a markedly sharper focus in this CD version. The completely natural balance gives a feeling of space and...
Reviewed in issue 12/1984
I greatly enjoyed the first volume of Dresden Concertos in Naxos’s “Vivaldi Collection” (8/97). Now comes Vol. 2 and if...
Reviewed by Nicholas Anderson in issue: 11/1997
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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