Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
The Swiss cellist Esther Nyffenegger is a new name to me. According to the booklet she attended the master-classes of...
Reviewed by Nicholas Anderson in issue: 11/1989
This is a classic case of “spoiling the ship for a ha’porth of tar”, as well as further evidence of...
Reviewed by Richard Osborne in issue: 9/2008
Having valuably recorded nearly all Hindemith’s music for viola (ASV, 9/95, 5/96 and 3/97), Paul Cortese now brings his rich,...
Reviewed by Lionel Salter in issue: 13/1998
Writing to J. S. Bach’s first biographer, Forkel, in 1774, C. P. E. Bach described these six sonatas for harpsichord...
Reviewed by Nicholas Anderson in issue: 7/1999
Lachrimae, or Seaven Teares (1604) is Dowland’s sole published collection for instrumental ensemble. This new release from gamba-player Hille...
Reviewed by William Yeoman in issue: 5/2009
A fascinating disc and one recorded – surprisingly – as long ago as 1998. The balance engineer was Mike Hatch‚...
Reviewed in issue 5/2002
Those whom the gods love … They would certainly be fortunate to recruit Fritz Wunderlich to the ranks of the...
Reviewed in issue 1/1989
In recording studios round the world you can be pretty sure that if it's Monday and there's an R in...
Reviewed by Richard Osborne in issue: 5/1994
Here we have something of a conundrum. In the digital re-mastering of an analogue recording, I feel that the Decca...
Reviewed by Alan Blyth in issue: 7/1984
Vartabed Komitas is the name taken by the Armenian composer, conductor and collector of liturgical and folk music, Soghomon Soghomonian,...
Reviewed in issue 3/1997
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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