Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
This programme has been very skilfully chosen to show the outstanding qualities of the pre-war LPO and its founder. Not...
Reviewed in issue 10/1993
It seems that it is becoming the norm to put out discs of Vivaldi chamber cantatas mixed with other works...
Reviewed by Lindsay Kemp in issue: 10/2009
Compact Disc is the ideal medium in which to experiment with a heretical, five-movement Mahler First. In the LP era,...
Reviewed in issue 3/1994
No doubt there will be more Mahler from San Francisco when Herbert Blomstedt hands over the reins to Michael Tilson...
Reviewed in issue 12/1994
They don’t make them like this any more – in every sense. In the 1950s and 1960s EMI made a...
Reviewed by Alan Blyth in issue: 11/1999
Listening to Artur Schnabel’s Beethoven, one can easily imagine the composer himself caught in the act of creation, impatiently snatching...
Reviewed in issue 4/1999
It was high time we had a modern version of Nicolai’s delightful Die lustigen Weiber von Windsor. While recordings of...
Reviewed by Andrew Lamb in issue: 2/2009
It was a great night at Covent Garden, though, of course, one had reservations. With the DVD they recede, I...
Reviewed by John Steane in issue: 12/2010
‘Schubert’s Quartet has been performed, rather slowly in his opinion, but very purely and tenderly,’ wrote Moritz von Schwind on...
Reviewed by DuncanDruce in issue: 3/2003
This is the most exciting collection of music by a young composer that I have heard for a very, very...
Reviewed by Michael Oliver in issue: 6/1997
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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