Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Establishing a telling and plausibly individual post-Gouldian solution to the Goldbergs has unsurprisingly come more from the likes of pianists...
Reviewed by Jonathan Freeman-Attwood in issue: 1/2003
A glance at the timings for Sir Colin Davis's reading suggests that tempos are well chosen for both the contemplative...
Reviewed by John Steane in issue: 12/1990
Duparc orchestrated eight of his songs, but it is not often that they are collected together on one disc. The...
Reviewed in issue 4/1995
Though the Octet bears the higher opus number it is in fact the earlier composition of the two here, and...
Reviewed in issue 1/1988
This disc is planned so that we hear the two shorter works first. Abbado's interpretation of the Haydn Variations is...
Reviewed in issue 4/1992
Koechlin's obsession with the stars of the silent screen, especially with the English actress Lilian Harvey, drew from him a...
Reviewed by Michael Oliver in issue: 10/1987
Alexander Sveshnikov's Le Chant du Monde recording of Rachmaninov's Vespers is now elderly (it was actually made in 1965), but...
Reviewed by John Warrack in issue: 4/1987
Today, Glazunov (1865–1936) is often dismissed as a conservative who offered little beyond a timid orthodoxy. True, his style remained...
Reviewed by Bryce Morrison in issue: 2/1993
Peter’s line “Where the walls themselves gossip of inquest” – his cry of pain to Ellen after the coroner’s open...
Reviewed by Mike Ashman in issue: 3/2008
There's almost a hint of turbulence in Tortelier's ''Nuages'' from Nocturnes—a more active cloudscene than usual, with much made of...
Reviewed by John Steane in issue: 10/1991
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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