Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
There was something of a craze for traditional Bulgarian vocal music in the late 1980s, sparked by the release of...
Reviewed by Andrew Farach-Colton in issue: 1/2004
On screen, the Villa Trissino Marzotto in Vicenza, Italy, conveys a spacious yet intimate impression that totally jibes with how...
Reviewed by Jed Distler in issue: 4/2008
Recorded live, Barenboim and the Chicago orchestra give a warm, powerful and beautifully paced reading of the Fifth, freely expressive...
Reviewed by Edward Greenfield in issue: 8/1996
Schnittke’s Cello Sonata of 1978 is one of his more memorable works. The manic arpeggiations and seasick heavings of its...
Reviewed in issue 2/1998
The sound on this disc is absolutely stunning – and the playing is pretty impressive too: but what about the...
Reviewed by Arnold Whittall in issue: 12/1995
There is a strongly defined image associated with the name Erich Kleiber: ''almost fanatical ardour...utmost possible precision...strictly non-sentimental'' (Grove). It...
Reviewed by Stephen Johnson in issue: 7/1988
Judging by these three discs, one might imagine that the orchestras of Eastern Europe were doing nothing except record Strauss's...
Reviewed in issue 3/1991
This group from New Mexico was unknown to me before their present record came my way. Its title suggested that...
Reviewed by mberry in issue: 8/1993
Here on a three-CD album Lya de Barberiis gives us the complete piano music of Alfredo Casella (1883-1947), a substantial...
Reviewed by Bryce Morrison in issue: 5/2003
The opera Palestrina has given Hans Pfitzner (1869-1949) a kind of musical immortality, but he was a conductor, too. For...
Reviewed by Richard Osborne in issue: /2000
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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