Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Only a few of the current recordings of Handel’s ever-fresh Op. 6 Concerti grossi are on period instruments, and of...
Reviewed by Lionel Salter in issue: 9/1997
La Resurrezione was composed for the Marchese Ruspoli as part of his spectacular Easter celebrations in 1708. The drama presents...
Reviewed by David Vickers in issue: 11/2006
The reappraisal of the music of Ernst Krenek continues apace, now reaching his largest symphony, the Second, which dates from...
Reviewed in issue 1/1996
A mere five minutes or so of Widor’s prolific output has come to define and pigeonhole him. So popular has...
Reviewed by Jeremy Nicholas in issue: 1/2012
In restoring full string, brass, woodwind and percussion forces, McCaldin’s own edition of the Nelson Mass emphasizes the high drama...
Reviewed by mquinn in issue: 11/1998
Thea Musgrave (b1928) belongs to a generation of Scottish composers – Iain Hamilton, Thomas Wilson and Ronald Stevenson are others...
Reviewed by Arnold Whittall in issue: 13/2009
Recorded live at the Heimbach Chamber Music Festival, this three-disc box of Brahms’s duo sonatas gives a vivid idea of...
Reviewed by Edward Greenfield in issue: 5/2004
There is no mistaking it as the product of Hespèrion XXI: the soundworld, with a wide range of instruments and...
Reviewed by Tess Knighton in issue: 12/2004
With contenders like Lupu, Perahia and Brendel around, only a foolhardy critic would presume to pick out any one version...
Reviewed by Joan Chissell in issue: 10/1989
Egk‚ a leading figure in German music during the troubled middle years of the previous century‚ is something of a...
Reviewed in issue 5/2002
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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