Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
These performances emphasise the European roots of Ives’s quartet music. The Leipzig play the second movement of the early Quartet...
Reviewed by Andrew Farach-Colton in issue: 3/2003
How familiar we are all becoming with this strange dialect with its ''lou'' and ''jou'', its diaereses and odd terminations....
Reviewed in issue 8/1988
Giya Kancheli is one of a number of Soviet composers, now in their fifties, whose creative instincts were formed during...
Reviewed in issue 9/1990
The Frank Bridge Trust and Pavilion Records on their Pearl label are making great headway in filling the gaps in...
Reviewed in issue 1/1986
“Transfiguration” courts controversy. How are we to take a performance recorded in bold, upfront digital sound that claims at least...
Reviewed in issue 2/1997
In terms of 'art music' alone, the 20th century offers a range of possibilities that would be difficult to encapsulate...
Reviewed by kYlzrO1BaC7A in issue: 4/2000
Such neat‚ lively‚ stylish playing‚ allied to a notably realistic‚ wellbalanced recording‚ makes it easy to recommend this disc. I...
Reviewed in issue 2/2002
Judging by the Left-Hand Concerto, Alicia de Larrocha and Leonard Slatkin (and what a versatile conductor he is) make a...
Reviewed by Christopher Headington in issue: 12/1993
Two operas from the Verdi canon, making (not that it matters) an oddly assorted pair: Stiffelio (1850) from the early-middle...
Reviewed by John Steane in issue: 9/2007
Not for nothing was Bottesini described as the Paganini of the double-bass. ''Under his bow,'' wrote a contemporary, ''the double-bass...
Reviewed by Ivan March in issue: 3/1995
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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