Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Karajan’s reading of this seminal work has always been noted for its glorious sensuousness (different from the sensuality found elsewhere):...
Reviewed by Alan Blyth in issue: 10/1999
If it can't be Beecham, it should be Anthony Collins; if it can't be Anthony Collins, it should be Barbirolli....
Reviewed in issue 12/1985
Amy Beach’s bestselling piece was her setting of Pippa’s song‚ ‘The year’s at the spring’ with its famous conclusion: ‘God’s...
Reviewed in issue 7/2002
Fremaux's Massenet collection still provides most enjoyable listening on its transfer to CD. This is most tuneful music, and it...
Reviewed by Andrew Lamb in issue: 5/1990
As several commentators have pointed out, Dvorak's Theme with Variations owes something to Beethoven's Op. 26 Piano Sonata, though it...
Reviewed by John Warrack in issue: 8/1993
Frescobaldi’s motets have received, if anything, less attention than his other vocal works. This disc has the merit of being...
Reviewed by Fabrice Fitch in issue: 8/1999
These are both super-budget price releases with two works overlapping. The competing versions of Appalachian Spring are the suite for...
Reviewed by Peter Dickinson in issue: 1/2003
Haitink's share is best represented by The Firebird—the first half especially—where his impressive sleight of hand dazzles us with the...
Reviewed in issue 1/1994
Recordings of both Faure’s piano quartets and quintets have become encouragingly frequent during the last few years, but Decca’s coupling...
Reviewed by Bryce Morrison in issue: 5/1998
Vivaldi's opera Motezuma, as it was originally known, was first performed in Venice in the autumn of 1733. The text,...
Reviewed by Nicholas Anderson in issue: 4/1993
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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