Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
It's good to have a single disc available of the K428 and K464, split away from the Emerson's set of...
Reviewed by hfinch in issue: 12/1994
Gavriil Popov and Shostakovich were near contemporaries and their careers have many parallels. The closest to an intersection was in...
Reviewed by David Fanning in issue: 3/2005
It is good that Cordoba-born Rafael Orozco has returned to the studios, and never more so than in the Spanish...
Reviewed in issue 7/1995
Like the others in the series, the third volume of Haydn Divertimentos from Manfred Huss and the Haydn Sinfonietta benefits...
Reviewed in issue 4/1996
The extraordinary hold Fassbaender exerts over audiences, in the concert hall and on record, surely derives from her singular strength...
Reviewed by Alan Blyth in issue: 4/1987
When Notte from Ludovico Einaudi’s album “Stanze” was broadcast on BBC Radio 3’s Mixing It last year it elicited the...
Reviewed by mbarnes in issue: 11/1998
Only last December I was enthusiastically welcoming Richard Hickox's outstanding new version of Dona nobis pacem; now comes Matthew Best...
Reviewed by Andrew Achenbach in issue: 5/1994
Curiously, each of the new recordings sounds like a criticism of the other; yet neither can be recommended as a...
Reviewed in issue 3/1992
Here are the two remaining items in Cala’s valuable three-volume restoration of all the recordings that Stokowski and the NYPO...
Reviewed by Andrew Achenbach in issue: 12/2004
Robert Moran is an eccentric figure in American music but his elegant, easily assimilable idiom should not be dismissed out...
Reviewed in issue 3/1996
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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