Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
However many versions one may have heard of this cycle in public and on disc in recent years, there should...
Reviewed by Alan Blyth in issue: 10/1991
Slatkin's devotion to, and understanding of Elgar is again impressively evident in his recording of the First Symphony. RCA have...
Reviewed in issue 6/1991
Born 21 years after Tchaikovsky and 20 years before Stravinsky, Anton Stepanovich Arensky belongs to that in-between generation (with Grechaninov,...
Reviewed in issue 7/1989
Alexandre Tharaud’s 2001 disc of Rameau keyboard works (5/02) was a refreshing demonstration that French harpsichord music can be convincingly...
Reviewed by Lindsay Kemp in issue: 6/2007
Three new Tenths, and appearing simultaneously? No, my spirits didn't sink at the prospect (despite ten rival recordings in the...
Reviewed by Michael Oliver in issue: 1/1991
Here is the territory of the mixed ('broken') consort, with more than a touch of our own Broadside Band and...
Reviewed by John Duarte in issue: 4/1992
After a miserable evening listening to below-par performances of much-recorded repertoire this came as a real tonic—by no standards could...
Reviewed in issue 8/1989
Haitink's second Beethoven cycle was greeted warmly by RO when it first appeared (6/88), reservations about the Second Symphony (''curiously...
Reviewed by Stephen Johnson in issue: 9/1994
Paavo Järvi here follows his father, Neeme, in recording Grieg’s Peer Gynt music substantially complete but, where Järvi senior on...
Reviewed by Edward Greenfield in issue: 8/2005
Choice here is quite clear. The Ormandy version of the Saint-Saens Organ Symphony is recorded in a very 'swimmy' acoustic,...
Reviewed in issue 3/1984
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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