Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Both artists come to the Nielsen Concerto for the second time: Arve Tellefsen recorded it with Herbert Blomstedt in the...
Reviewed by Robert Layton in issue: 9/1990
The slightly hazy, distanced sound of the LP is clarified and brought into sharper focus here. The strengths of the...
Reviewed in issue 7/1986
Herbert Howells's Requiem is in one sense a sketch for his beautiful Hymnus Paradisi (in which much of the material...
Reviewed by Michael Oliver in issue: 8/1983
Mephistopheles is the spirit who denies, critics on the side of the angels, must affirm. So: the opera itself (in...
Reviewed in issue 8/1988
How pleasant it would be to welcome a new recording of this mighty Concerto with open arms. But alas here...
Reviewed in issue 9/1990
Les noces is the most emphatically Russian of Stravinsky’s early masterpieces, rooted in the soil and the customs of peasant...
Reviewed by Peter Dickinson in issue: 13/2010
Alban Berg had reached his late twenties before striking out on his own compositional path. Even then the twin influences...
Reviewed by Arnold Whittall in issue: 3/2010
When recording the F major Sonata, Op. 5 No. 1 and Ghost Trio at his Prades Festival in the summer...
Reviewed by Joan Chissell in issue: 3/1994
Molinari-Pradelli v. Maazel (CBS), Moffo v. Te Kanawa, Barioni v. Domingo: no contest, surely? I'm not so sure. For a...
Reviewed by Michael Oliver in issue: 9/1990
First heard at the 1936 Norwich Festival (at a concert which also featured the world premiere of Britten’s remarkable Our...
Reviewed by Andrew Achenbach in issue: 3/1998
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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