Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Despite its title of ''Variations for Piano, Volume 1'', Michel Dalberto begins this Mozart recital with a chunky account of...
Reviewed by Christopher Headington in issue: 12/1992
These are vivid and fresh performances that bring these still relatively unfamiliar concertos written around 1770 into sharp focus. The...
Reviewed by Christopher Headington in issue: 1/1989
Contrasted as the four composers are, this is all amiable, well-crafted music. That is especially true of Norman Del Mar’s...
Reviewed by Edward Greenfield in issue: 9/2010
Martinu's Double Concerto for two string orchestras, piano and timpani is at long last gaining ground in the catalogues. This...
Reviewed by Robert Layton in issue: 9/1992
Born in 1937, John Ogdon was in his student days a member of the Manchester New Music Group and gave...
Reviewed by Christopher Headington in issue: 3/1992
I confess that the subtitle of this CD “From Dramatic Liturgy to Liturgical Drama” made me uneasy. “Right,” I said,...
Reviewed by Fabrice Fitch in issue: 5/1997
Both these couplings are extremely fine, but taken together they add up to even more than the sum of their...
Reviewed by Michael Oliver in issue: 2/1997
No wonder Ernani was such a favourite in the 19th century. Everything is in place. The hero keeps his word;...
Reviewed by John Steane in issue: 8/2010
Lang Lang‚ the 19yearold Chinese pianist now resident in America‚ appears to have already accrued a lifelong career‚ so extensive...
Reviewed in issue 6/2002
With a nod to Frauenliebe und -leben, Stéphanie d’Oustrac and Aline Zylberajch here trace a Haydnesque sentimental journey from innocence,...
Reviewed by Richard Wigmore in issue: 7/2010
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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