Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
If you happen to be one of the few who possess or has heard the original cast album for the...
Reviewed by Edward Seckerson in issue: 13/2005
More than 40 years ago, as a first-year undergraduate at Cambridge, I played York Bowen's First Ballade at the University...
Reviewed by Peter Dickinson in issue: 12/1995
On the face of it, this is an interesting coupling of two Rachmaninov works which are sharply contrasted one with...
Reviewed by Geoffrey Norris in issue: 2/2010
The prospect of Venetian music of the 17th century conjures up expectations of madrigals and monody on the one hand...
Reviewed in issue 13/2001
Paul Esswood's great assets, I need hardly mention, are his sensitivity to the words and the unusual smoothness of his...
Reviewed in issue 7/1983
Listening to this historically important CD reminded me how, for years, Artur Schnabel was thought of as the stereotypical ‘intellectual’...
Reviewed by Rob Cowan in issue: 3/2003
Tchaikovsky's songs, over 100 of them, are still too little known, perhaps in part because the tradition is unfamiliar to...
Reviewed by John Warrack in issue: 8/1989
Until Gerard Brooks came on the scene, I doubt whether any but the most dedicated specialists had any idea just...
Reviewed by Marc Rochester in issue: 7/2004
Hoffman and Bianconi's performances here are most appealing - rich-sounding and warmly romantic. In the Shostakovich Sonata they don't have...
Reviewed by DuncanDruce in issue: 4/2000
First the cliche. You wait 14 years for a new Merry Widow and then two come along at once! Only...
Reviewed by Andrew Lamb in issue: 2/1995
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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