Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
With this superbly executed recital, Maltman leaps in a single bound into the front rank of Lieder interpreters today. Seemingly...
Reviewed in issue 5/2001
The glowing incandescence of Austrian mid-baroque instrumental music could hardly be more effectively demonstrated than in the choice of repertoire...
Reviewed by Nicholas Anderson in issue: 7/1996
Whether as composer or performer, Egberto Gismonti is nothing if not versatile in fusing Brazilian idioms with European procedures. Saudações...
Reviewed by Richard_Whitehouse in issue: 13/2009
This recording of the last of the three fine divertimentos for strings and two horns that Mozart composed between 1776...
Reviewed by rgolding in issue: 4/1985
The Chilingirian players start out with an immediate advantage over the Medici on Meridian reviewed in June (CD only, so...
Reviewed by Michael Oliver in issue: 9/1986
Scheherazade is the kind of music one used to associate with the Philadelphia Orchestra in its early heyday under Stokowski...
Reviewed by Ivan March in issue: 8/1983
Fritz Reiner’s posthumous reputation is such that my enthusiastic recommendation for this well-packed reissue is probably superfluous. But even now...
Reviewed in issue 6/1997
Dufay’s Mass for St James the Greater is one of the most intriguing works of the early 15th century. Certainly...
Reviewed in issue 2/2002
A new recording of Weber's piano concertos was obviously long overdue, and this one fits the bill more than adequately,...
Reviewed in issue 6/1986
Trying to balance the rival claims of these two issues presents as pretty a problem as I've encountered. Both conductors—no...
Reviewed by Lionel Salter in issue: 8/1988
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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