Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
There is a freshness about these performances that suggests a group of young players discovering the music for themselves, their...
Reviewed in issue 1/1998
This recording mirrors the courtly lives of the Italian Renaissance nobility. The ensemble from Brittany – named after the Breton...
Reviewed by mberry in issue: 6/2005
‘Spirit of Shakespeare’ – the title speaks volumes for the aspirations of this young guitarist; but alas‚ the project itself...
Reviewed in issue 11/2001
Neither of these names are ones you are likely to come across every day. Joseph Franz Xaver Dominik Stalder (1725–65)...
Reviewed by Stanley Sadie in issue: 9/1989
Though each is problematic in terms of the concert repertoire, these two products of Russia’s Silver Age go well together...
Reviewed by David Fanning in issue: 3/2009
This is an unimpressive record. The Pierne Variations are agreeable, sounding like incidental music for some TV pastoral romance, but...
Reviewed by Christopher Headington in issue: 10/1986
Brahms made it plain that he wanted his Horn Trio to be played on a hand horn‚ with stopped notes‚...
Reviewed in issue 1/2002
I think it says much for Horowitz's state of mind in his last three years that he felt able to...
Reviewed by James Methuen-Campbell in issue: 8/1990
I do hope I'm not beginning to sound like the Chairman of the Aribert Reimann Depreciation Society. He's a fine...
Reviewed by Michael Oliver in issue: 10/1991
Heard in this context, Gil Shaham emerges as the first among equals. Anyone experienced in the field of violin miniatures...
Reviewed in issue 3/1997
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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