Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Vivaldi’s secular chamber cantatas have attracted some recordings over the past decade or so, but by and large they are...
Reviewed by Lindsay Kemp in issue: 7/2004
Erb's career, voice and style closely resemble those of Peter Schreier today. Both started their professional life in the opera...
Reviewed by Alan Blyth in issue: 6/1994
Victor de Sabata (1892–1967) was universally admired as a great conductor, but his legacy of commercial recordings is fairly meagre....
Reviewed in issue 2/1990
Eduard Tubin first tried his hand at opera in 1941 with Puhajarv (''Holy Lake''), and a little later, Libahunt (''Werewolf'')...
Reviewed by Robert Layton in issue: 4/1993
Alan Bush - pupil of John Ireland, Professor of Composition at the Royal Academy of Music for half a century...
Reviewed by Ivan March in issue: 11/2002
Julia Varady’s career was centred mostly in Germany, at the opera houses in Frankfurt, Munich and Berlin. She made her...
Reviewed by po'connor in issue: 11/2007
Arensky (1861-1906) is best remembered today for just a handful of works – including the First Piano Trio and the...
Reviewed by Tim Parry in issue: 3/1999
The flood of historical reissues has now reached the point where smaller companies are offering rival versions of the same...
Reviewed in issue 3/1992
There is no shortage of versions of César Franck’s Violin Sonata for cello and piano (see also Duncan Druce on...
Reviewed by John Warrack in issue: 7/2003
When Giulini first recorded Bruckner's Ninth Symphony for EMI (nla) with the Chicago Symphony Orchestra I thought the reading grand...
Reviewed by Richard Osborne in issue: 8/1989
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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