Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Riccardo Muti takes time out here to present some of the lesser known, rarely heard orchestral scores of his fellow...
Reviewed by Michael Stewart in issue: 4/1994
Noting, perhaps, that it was the Feast of the Assumption, Karl Böhm ended his Salzburg Festival concert on August 15,...
Reviewed by Richard Osborne in issue: 3/2004
Not so long ago, Nielsen’s piano music was comparatively rarely found on disc, aside from isolated issues of selections such...
Reviewed by Guy Rickards in issue: 4/2009
In 1637 the first public opera house in the world, the S Cassiano in Venice, opened its doors. Cavalli’s first...
Reviewed by Richard Lawrence in issue: 4/2007
In an interview included as the final track of this pair of discs, Robert Shaw regrets that there have been...
Reviewed by John Warrack in issue: 2/2000
I due Foscari won a respectful hearing on the occasion of this rare revival in 1988, with a warm reception...
Reviewed by John Steane in issue: 9/2005
Just as Othello is a difficult play to bring off in the theatre, so Otello is a difficult opera to...
Reviewed by Richard Osborne in issue: 12/1994
These are eminently musical readings of Mendelssohn’s works for piano and orchestra. German pianist Ragna Schirmer has been quietly forging...
Reviewed by Harriet Smith in issue: 5/2007
This handsome anthology of Schutz’s Christmas music was recorded last year during the festive season. The selection spans the whole...
Reviewed by Fabrice Fitch in issue: 12/1997
For his bicentennial celebration, Apartment House 1776, Cage took 44 choral pieces by a group of colonial composers, including William...
Reviewed by Peter Dickinson in issue: 11/1995
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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