Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
It would do nobody a service or kindness to try to find grounds for recommending this. Neither in quality of...
Reviewed in issue 9/1990
The second volume in Martin Jones's nine-CD tribute, 'Spanish Piano Music', could hardly be more enticing or delectable. My initial...
Reviewed by Bryce Morrison in issue: 3/2000
The Petite Messe solennelle is a strangely elusive work. I have long suspected that it needs a certain kind of...
Reviewed by Richard Osborne in issue: 13/2006
Sound-wise the contrast with this month's other piano-duo disc (reviewed on page 800), from the Labeques (same company, same studio—Abbey...
Reviewed by Edward Seckerson in issue: 11/1988
Heard in quantity, Arensky’s piano works can seem limited and occasionally facile. But heard separately, many of the 38 pieces...
Reviewed by Bryce Morrison in issue: 6/2010
We owe it to the late Christopher Palmer, devotee both of Walton and of film music, that we have this...
Reviewed by Edward Greenfield in issue: 7/1998
The Appassionata comes up first and the E flat Sonata, Op 7, last in the tracking, presumably because the Appassionata...
Reviewed by Stephen Plaistow in issue: 2/2001
The close but contrasted relationship between these two symphonies makes it a most desirable coupling; yet as one surveys the...
Reviewed by Richard Osborne in issue: 2/1991
Brahms, who had a high regard for Rubinstein, was said to wish that he took more trouble with composition. It...
Reviewed by John Warrack in issue: 6/2009
Peter Phillips is surely right to describe Gombert as the Flemish Renaissance master who least deserves the epithet ‘minor’. Tradition...
Reviewed by Fabrice Fitch in issue: 12/2001
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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