Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
These fruits of Mendelssohn’s precocious maturity demand a fresh‚ enthusiastic response‚ and the Leipzig Quartet don’t disappoint. In passionate‚ intense...
Reviewed in issue 12/2001
To draw most of the repertory for a recorder quartet disc from quintessential string music is a brave concept and...
Reviewed in issue 7/2002
Despite the rapid encroachment of the fortepiano, the harpsichord remained the most common domestic keyboard instrument until the very end...
Reviewed by Richard Wigmore in issue: 10/1991
This succinct, magically fleet recital (Gulda’s first at the Salzburg Festival, given in 1964) comes, ironically, from an iconoclast who...
Reviewed by Bryce Morrison in issue: 12/2002
Enescu follows Walt Whitman’s injunction to “sail for the deep waters only” in Vox maris, a work which the sixth...
Reviewed in issue 8/1996
Curiously, the music on this disc is presented in reverse chronological order (Mozart, Gluck, Handel). Any slight reservations that one...
Reviewed by Stanley Sadie in issue: 2/2000
Endimione is a serenata or azione drammatica; J C Bach composed it in 1772 for concert performance at the King's...
Reviewed by Stanley Sadie in issue: 5/2000
One is struck by the overwhelming majority of pieces in honour of the Virgin Mary in the extant sources of...
Reviewed by mberry in issue: 13/1997
On this evidence, the arrival of Constantine Orbelian as Music Director of the Moscow Chamber Orchestra, the first American to...
Reviewed in issue 11/1998
Hendricks and Lupu are not the first names that would spring to mind for a Schubertiade. And it is precisely...
Reviewed by hfinch in issue: 4/1987
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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