Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
If all that mattered in Shostakovich’s 13th was the “Babi Yar” setting that first motivated it, then there would be...
Reviewed by David Fanning in issue: 13/2006
Recordings of Shostakovich's most symphonically conceived symphony continue to flood in—see the review (page 51) of Erato's Mravinsky Edition for...
Reviewed in issue 6/1992
What we have here is, literally, two operas for the price of one. That is to say, the two records...
Reviewed by John Warrack in issue: 10/1998
The finest work on this record is the late Sextet, which has often been suggested as an influence on Brahms's...
Reviewed by John Warrack in issue: 4/1994
It is a while now since Bruno Weil and Tafelmusik made classical-period music together in the first days of Sony...
Reviewed by Lindsay Kemp in issue: 2/2008
Peter Philips and Richard Dering make a happy coupling, as this disc of neatly paired settings of similar texts demonstrates....
Reviewed by Lindsay Kemp in issue: 12/1991
The revival of Monteverdi's music for St Mark's is welcome, since much of it is very fine. His main job...
Reviewed in issue 2/1984
Lyapunov was a pupil of Tchaikovsky and more crucially, of Balakirev, whose formidably interventionist teaching methods he repaid with the...
Reviewed by John Warrack in issue: 7/1989
Here is yet another invigorating and thought-provoking disc in Hyperion’s invaluable Simpson cycle. It’s difficult to avoid the familiar adjectives,...
Reviewed in issue 13/1997
Muriel Herbert (1897- 1984) was a protégée of Roger Quilter, who arranged for the earliest publication of some of her...
Reviewed by po'connor in issue: 8/2009
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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