Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Sir Clifford Curzon was a Decca artist for the whole of his recording career, but he was not a prolific...
Reviewed in issue 4/1990
No, the title is hardly an incentive to part with one’s pocket-money. But with Telemann we should know better than...
Reviewed by Nicholas Anderson in issue: 5/1996
Giovanni Felice Sances (c1600-79), who is now virtually forgotten, was something of an international star in his own lifetime. Roman...
Reviewed by Iain Fenlon in issue: 6/2010
It sounds like a cue for the Dies irae from Verdi's Requiem: instead it heralds a cry of pain from...
Reviewed in issue 4/1994
The Haydn year in 2009 may have opened the ears of many to some of the hidden gems of the...
Reviewed by David Threasher in issue: 3/2011
This film was made in 1981, but it hasn’t appeared before on VHS. The intention had been to preserve for...
Reviewed by Alan Blyth in issue: 4/1996
Elgar's late chamber pieces are so often referred to as 'autumnal' (are so often, indeed, described as 'late': there is...
Reviewed by Michael Oliver in issue: 6/1986
Ikon of light is John Tavener's most recent large-scale work. It was first performed in July 1984 as part of...
Reviewed by Arnold Whittall in issue: 12/1984
It seems strange that CPE Bach’s five flute concertos are not performed more often. More substantial than Vivaldi’s (if a...
Reviewed by Lindsay Kemp in issue: 9/2007
Schubert's early string quartets are remarkable for their structural refinement and imaginative handling of instrumental resources. In the Quartet in...
Reviewed in issue 6/1993
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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