Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
‘Justice for Goss’ used to be a favourite rallying-cry of mine, one that brought few supporters and little encouragement until...
Reviewed in issue 5/1996
Despite respecting these cultivated and fresh readings enormously, I feel compelled to voice reservations about the recorded sound. The violin...
Reviewed in issue 7/1985
For as long as I can remember there have been two pieces of received wisdom about Shostakovich's 24 Preludes and...
Reviewed by Stephen Johnson in issue: 3/1991
Cliff Colnot's smaller than big-band arrangements are mostly fine, although the interpolated introduction to Take The 'A' Train is rather...
Reviewed by rthomas in issue: 12/1999
The Mendelssohn family’s Sunday morning music parties, bringing one marvel after another from the wunderkind Felix, are now legendary. The...
Reviewed by Joan Chissell in issue: 12/1998
Naxos offers an exceptionally clear recording of these three concertante works by Szymanowski, not just the two Violin Concertos but...
Reviewed by Edward Greenfield in issue: 7/2007
On Volume 4 of this Naxos series, only the delightful Summer Skies falls into the familiar format of Anderson orchestral...
Reviewed by Andrew Lamb in issue: 12/2008
It may, I suppose, be a matter of habituation: but I don't find the traditional Sussmayr version of the Mozart...
Reviewed by Stanley Sadie in issue: 11/1987
So much of Mozart’s instrumental music is opera by other means. The Florestan understand this as well as any group,...
Reviewed by Richard Wigmore in issue: 6/2007
This is surely among the top ten versions of Verdi’s much-recorded work, if not among the top five. Apart from...
Reviewed by Alan Blyth in issue: 7/1996
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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