Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Something seems to have happened to these recordings over the years. Notes taken in the 1960s tell of ‘wobble’, a...
Reviewed by John Steane in issue: 1/2001
This is DVD usage at its most bog-standard. Man discovered seated at piano. Man plays piano (choice of six shots)....
Reviewed by Jeremy Nicholas in issue: 7/2004
Daniel Barenboim used to talk of the challenge of playing Bruckner with the Orchestre de Paris. Nowadays, the Orchestre de...
Reviewed by Richard Osborne in issue: 5/2004
Easley Blackwood's Cello Sonata dates from 1985, and is one of five works written during the past decade in which...
Reviewed by mjameson in issue: 11/1992
After the four fine cantatas set to libretti by Leipzig poet Marianne von Ziegler in Vol 35, the rich vein...
Reviewed by Jonathan Freeman-Attwood in issue: 3/2008
The phenomenon of early instruments being used by contemporary composers is familiar enough, but a period orchestra? Supported by the...
Reviewed by Fabrice Fitch in issue: 4/2007
This very welcome set brings Boccherini the symphonist back to the catalogue. Boccherini the symphonist?—well, he was not a symphonist...
Reviewed by Stanley Sadie in issue: 3/1986
Isaac Karabtchevsky’s recordings of the nine Bachianas (not complete as they excluded the piano and vocal originals of Nos 4...
Reviewed by Guy Rickards in issue: 9/2007
Roughly 150 years separate Ockeghem's Intemerata Dei mater and Joao IV of Portugal's Crux fidelis. This sample of renaissance motets...
Reviewed by Fabrice Fitch in issue: 3/1995
Bartok’s ‘dance pantomime’ The Wooden Prince is a fascinating score: fascinating for its resonances of his other two stage works...
Reviewed by John Steane in issue: 12/1997
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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