Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
The Schubert series of Brendel and Schiff, the return of Richter—to say nothing of Ashkenazy's own conducting career with its...
Reviewed by hfinch in issue: 4/1995
Reviewing the complete set, RO found Haitink's No. 2 ''curiously lack-lustre … the tempos often rather broad, the dramatic temperature...
Reviewed by Stephen Johnson in issue: 7/1989
Doriot Anthony Dwyer, for many years the first flute of the Boston Symphony Orchestra, is undoubtedly the right soloist for...
Reviewed by Peter Dickinson in issue: 3/1993
This is a shrewd pairing of generally impressive recordings of Rossini’s two great – but very different – choral works....
Reviewed by Richard Osborne in issue: 7/1996
Dvorakians weaned on the 1976 DG version of the First Quartet are in for quite a jolt. Whereas the Prague...
Reviewed by Andrew Achenbach in issue: 4/1998
This spaciously conceived work, by an unidentified hand, but variously attributed to Orazio Benevoli, Andreas Hofer and Biber, was first...
Reviewed by Nicholas Anderson in issue: 12/1991
The venue for this recording (Das Kulturzentrum Grand Hotel, Dobbiaco, Italy), the producer and piano are the same as Angela...
Reviewed by Jeremy Nicholas in issue: 9/2010
When Lorin Maazel’s 1984 was first heard at Covent Garden in 2005 – the composer-conductor’s 75th year – it received...
Reviewed by Arnold Whittall in issue: 6/2009
When a critical intelligence like Alfred Brendel's gets to work on Beethoven you can expect insights from the shaping of...
Reviewed by Stephen Johnson in issue: 12/1994
In a recently published interview regarding Shostakovich (Tempo, April 1997), Solomon Volkov expressed the opinion that American string quartets “perform...
Reviewed in issue 13/1997
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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