Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Most of these pieces have an appeal of their own though I’m not sure they work as a programme. Schnittke’s...
Reviewed by Rob Cowan in issue: 10/2004
Michel Schwalbe is probably best known as the distinguished First Concertmaster of the Berlin Philharmonic during the years 1957-86, the...
Reviewed by Richard Osborne in issue: 7/1999
Marriner has previously recorded Metamorphosen with his Academy of St Martin in the Fields for Argo in 1969. This new...
Reviewed in issue 6/1989
It is easy to dismiss Adriana Lecouvreur as a hopelessly old-fashioned piece of kitsch melodrama (although written in 1902 it...
Reviewed by Michael Oliver in issue: 10/1987
This new Hyperion account of Peteris Vasks’s Distant Light swells the number of recordings it has garnered to five, an...
Reviewed by Andrew Achenbach in issue: 11/2005
This exemplary release finds Anne Sofie von Otter again stamping her distinctive mark on a disc. Two of these works...
Reviewed by John Allison in issue: 10/2008
Collectors requiring just one set of the Sallinen symphonies may well be put in a quandary by this fine new...
Reviewed in issue 12/1994
It is appropriate that the first recording of the first version of Forza should come from St Petersburg, where the...
Reviewed by Alan Blyth in issue: 4/1997
That this is unashamedly ‘big-band’ Mozart is underlined by the upfront recording which vividly captures the atmosphere of a live...
Reviewed by Edward Greenfield in issue: 2/2003
Joseph Kosma (1905-1969) is still not a well-known name, even to devotees of French song. However, nearly everybody knows the...
Reviewed in issue 10/2000
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.