Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Martin Fröst's style of playing is well suited to Weber: he has a clear, fresh tone and fingers undefeated by...
Reviewed by John Warrack in issue: 2/2007
When the colourful Arthurian opera Merlin appeared on disc nearly three years ago (12/00), it came as a surprise even...
Reviewed by Edward Greenfield in issue: 8/2003
In writing his innovatory 23 concertos for groups of three to six mixed soloists and basso continuo, Vivaldi anticipated a...
Reviewed by John Duarte in issue: 3/1989
Petri Sakari and the Iceland orchestra made a very positive impression in their earlier Sibelius recording of Pelleas, the King...
Reviewed by Robert Layton in issue: 1/1999
Never mind that few of the composers represented here will be generally familiar to organ lovers outside Sweden, I can...
Reviewed by Marc Rochester in issue: 7/2010
With a premiere at the Proms and the release of this, the second Naxos disc devoted to her music, Judith...
Reviewed by Marc Rochester in issue: 13/2011
The problematic performance here is the Kaddish Symphony (1963). As the booklet-notes remind us, Bernstein went through considerable torment to...
Reviewed by Philip_Clark in issue: 8/2008
This is a very successful recital, recorded 20 years ago but well worth this CD transfer. Tamas Vasary has the...
Reviewed by Christopher Headington in issue: 1/1991
So much is enthralling in this superbly executed recital that it is hard to know where to begin. In some...
Reviewed by Alan Blyth in issue: 7/2000
The Hartley Piano Trio do well by Spohr’s demanding Third Trio, in A minor, keeping everything light and amiable, emphasizing...
Reviewed by John Warrack in issue: 1/1996
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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