Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
An attractive-looking idea. In reality, alas, this new British Composers offering serves up, with one or two notable exceptions, a...
Reviewed by Andrew Achenbach in issue: 8/1994
What first catches the eye is the listing of three 'unknown' pieces by Falla, which were not published until 34...
Reviewed by Lionel Salter in issue: 12/1990
These broadcast performances from the Barbican were much admired when the concerts were given in 2002-3. While appreciating that the...
Reviewed by Alan Blyth in issue: 11/2006
Iceland is a country of tremendous musical richness, as those who have followed at least in part the posthumous success...
Reviewed by Ivan Moody in issue: 11/2003
This is a rather variable release. I found myself wondering now many of the pieces played were actually a part...
Reviewed by James Methuen-Campbell in issue: 4/1989
The way of the Cross has never been more gently depicted than in the opening of this Stabat mater. The...
Reviewed in issue 5/1994
In spite of the fact that it was recorded almost 40 years ago, this remains a competitive version. Though three...
Reviewed by Alan Blyth in issue: 9/1996
No sooner does Naxos commence one immense project (the complete piano music of Liszt, for example) than it starts another....
Reviewed by Bryce Morrison in issue: 2/2000
Ysaÿe’s own music was all but engulfed by his performing career and the only composition of note that has held...
Reviewed by Ivan March in issue: 10/2011
I can’t recall ever having enjoyed a recording of the late, gnomic Requiem Canticles quite as much as this one:...
Reviewed by Rob Cowan in issue: 4/2009
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.