Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Because new here, Bolet's Consolations first. These six pieces date from 1849-50, when Liszt has just abandoned the concert platform...
Reviewed by Joan Chissell in issue: 2/1987
Naxos has done well to invite the choir of Rutter’s own Cambridge college to represent him in its catalogue, which...
Reviewed by John Steane in issue: 5/2003
This is the start of a three-year project in which Paul Hillier is to explore the choral repertoire from lands...
Reviewed by David Fanning in issue: 11/2002
It is good to be reminded how much more sympathetic on record the sound is in the Jesus Christus Kirche...
Reviewed by Edward Greenfield in issue: 7/1984
An issue of outstanding importance. King Candaules, based on a play by Andre Gide, is Zemlinsky’s last opera, written during...
Reviewed by Michael Oliver in issue: 9/1997
Interest here is likely to centre on the hitherto unrecorded, and still unpublished, incidental music Falla wrote in 1927 for...
Reviewed by Lionel Salter in issue: 5/1993
Now we can hear how Shostakovich’s Fourth Symphony might have begun. Anyone present at Mstislav Rostropovich’s unforgettable Shostakovich Festival at...
Reviewed by Edward Seckerson in issue: 1/2005
Here's an unfashionable record in this age of authenticity and back-to-the-original. Full-blown orchestral arrangements of Handel are hardly the thing,...
Reviewed in issue 7/1988
These three composers are linked through their place in the venerable tradition of Cesar Franck, as R. G. Vicar’s generous...
Reviewed by Peter Dickinson in issue: 4/1998
Writing in June about the Beecham La boheme on EMI, I called it ''as complete a distillation of Puccini's drama...
Reviewed by Michael Oliver in issue: 11/1987
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.