Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Martha Argerich’s return to the studios in two concertos she has not previously recorded is an uplifting moment. As always...
Reviewed by Bryce Morrison in issue: 10/1998
It seems extraordinary that even though Rameau has at last been recognised (or should that be re-recognised?) as one of...
Reviewed by Lindsay Kemp in issue: 7/2000
In his classic biography of Martinu (Allen Wingate: 1962), Milos Šafránek states that in “the large and varied assortment of...
Reviewed by Guy Rickards in issue: 5/2007
During his visit to London in 1764-5 Mozart wrote, with a little paternal assistance, a set of six pieces in...
Reviewed by Stanley Sadie in issue: 5/1990
It has been a long wait for a recording of the young Shostakovich’s grotesque morality-opera that would rival Rozhdestvensky’s, made...
Reviewed by David Fanning in issue: 8/2009
Begun in 1975, six years after the composer’s release from two years’ imprisonment in South Korea, which followed his abduction...
Reviewed by Arnold Whittall in issue: 2/2004
As recorded ‘blueprints’ of these neo-classical ballet scores, the Orpheus Chamber Orchestra’s conductorless Stravinsky is more accomplished than the composer’s...
Reviewed by John Steane in issue: 7/1999
It is astonishing to find that Gil Shaham, still in his teens, was only 15 when he recorded this formidable...
Reviewed by Edward Greenfield in issue: 3/1990
Victor Herbert’s output was large but uneven. The Auditorium Festival March that opens this collection is one work I imagine...
Reviewed by Andrew Lamb in issue: 9/2000
The refulgence of Jessye Norman's tone and ehr well-known conviction singing make her an almost ideal interpreter of such songs...
Reviewed by Alan Blyth in issue: 8/1986
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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