Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Capella Istropolitana is a chamber orchestra—here strings only, whose Naxos recordings already occupy considerable column-length in The Gramophone Classical Catalogue,...
Reviewed by John Duarte in issue: 3/1995
In the final grand summation I suppose Howells ranks as a minor composer, but he shares several qualities with the...
Reviewed in issue 3/1990
“That ultra-classical product of Romanticism, the grandiose Italian opera in which the executive art consists in a splendid display of...
Reviewed by John Steane in issue: 6/2007
Concerts are notoriously short these days, too often with only a pair of works and seldom an overture. I notice...
Reviewed by Ivan March in issue: 6/2005
Dominating this 12th volume of an uneven but very rewarding series are two groups of songs. Loewe's Heine Liederkreis of...
Reviewed by John Warrack in issue: 12/1999
The musical content of John Gay's The Beggar's Opera has always been a movable feast, and in their 1981 version...
Reviewed by Andrew Lamb in issue: 5/1991
Here is another of those extraordinary Virgin bargain boxes, offered at an astonishingly low price (six well-filled CDs for well...
Reviewed in issue 7/2001
This is the first recording made by the Saito Kinen Orchestra, which was formed six years ago in memory of...
Reviewed in issue 10/1990
Matt Haimovitz’s latest recital of twentieth-century cello compositions sustains the thesis of its predecessors (12/95 and 5/97) that extreme contrast,...
Reviewed by Arnold Whittall in issue: 5/1999
There used to be a problem with the Goldberg Variations: to observe the repeats was impossible on a single LP...
Reviewed by John Duarte in issue: 3/1990
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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