Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This attractive CD comes hard on the heels of the reissue of the same coupling on budget-price LP. The Spring...
Reviewed by Arnold Whittall in issue: 4/1987
It is good to see recordings of Ervín Schulhoff’s music presenting his compositions on their own merits. If there is...
Reviewed by David Gutman in issue: 3/2011
Maurice Durufle has published three versions of his Requiem, and regards them all as of equal validity. The one with...
Reviewed by Michael Oliver in issue: 5/1986
The story of Estevan Salas, a victim of uncaring bureaucracy, is a pathetic one. This Creole musician, of such humility...
Reviewed by Lionel Salter in issue: 9/1997
Sir Andrew Davis’s warmly committed performance of the Enigma Variations, atmospherically recorded in Worcester Cathedral, introduces a highly enjoyable documentary...
Reviewed by Edward Greenfield in issue: 7/2005
In no part of the repertoire was Stokowski more consistently successful than in colourful, romantic Russian music. He and the...
Reviewed in issue 7/1994
Some of the music in this operatic selection is unfamiliar. The ‘second overture’ in Almira, for example, is not in...
Reviewed by Stanley Sadie in issue: 8/1996
Three of these five oboe concertos were new to the catalogue when NA welcomed the LP in his May 1983...
Reviewed in issue 2/1986
Much to admire, as one would expect from such highly accomplished protagonists. The Berliners play with exquisite poise and sensitivity,...
Reviewed by Andrew Achenbach in issue: 9/2005
At the end of his life Gluck spoke of Salieri as his only true heir. Spasmodic recordings of his operas...
Reviewed by Richard Wigmore in issue: 10/2010
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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