Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
An excellent selection of Fauré’s chamber music‚ early‚ middle period and late. I stress the word ‘chamber’ because violin sonatas...
Reviewed in issue 9/2001
Of the four numbers that Sibelius supplied for the February 1898 Helsinki premiere of Adolf Paul’s historical drama King Christian...
Reviewed by Andrew Achenbach in issue: 6/1999
Sutherland, Sills, Callas, Caballe and more recently Kathleen Battle, Barbara Hendricks and Dame Kiri Te Kanawa have all recorded recitals...
Reviewed by Patrick O'Connor in issue: 2/1999
During his latter years Louis Moreau Gottschalk favoured the bright and penetrating sound of pianos by the American firm of...
Reviewed by Michael Oliver in issue: 5/1989
These recordings of Vaughan Williams, reissued in the British Composers series, were made by Vernon Handley and the London Philharmonic...
Reviewed by Edward Greenfield in issue: 3/2006
By 1896 the 61-year-old Saint-Saëns was more than a little fed up that of his eight operas only one, Samson...
Reviewed by rnichols in issue: 7/2004
How convenient it would be if the more recent and more generously filled disc were a clear winner in this...
Reviewed by Arnold Whittall in issue: 7/1990
Sir John Barbirolli's account of the Fourth Symphony with the Halle Orchestra was only the second recording of the work...
Reviewed by Robert Layton in issue: 4/1991
It is nearly 15 years since this complete performance of Rameau's Castor et Pollux was first issued by Telefunken. I...
Reviewed by Nicholas Anderson in issue: 7/1987
In this new format, Solti’s celebrated recording threatens to sweep the board. Its strengths are well known. Twenty five years...
Reviewed in issue 5/1996
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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