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Review of Szymanowski Piano Works

Szymanowski Piano Works

Possibly the only piece here that will be known to most music-lovers will be the third of the Op. 4...

Reviewed by John Warrack in issue: 7/1991

Review of American Orchestral Works

American Orchestral Works

The Chadwick revival continues apace! Only in February I was welcoming a memorable (and outstandingly well-engineered) collection on the Reference...

Reviewed by Andrew Achenbach in issue: 6/1996

Review of Rachmaninov Works for Two Pianos

Rachmaninov Works for Two Pianos

I suppose I asked for it. These performances have all the accent and colour, all the shape and dramatic flair...

Reviewed in issue 9/1992

Review of Remembering Prague

Remembering Prague

Stepan Rak is a guitarist of amazing technical prowess who is obviously impatient with what are perceived as the expressive...

Reviewed by Michael Oliver in issue: 9/1988

Review of Beecham conducts Favourite Overtures, Vol. 1

Beecham conducts Favourite Overtures, Vol. 1

EMI's Beecham Edition has put the great conductor very much before the record-buying public again, but even though his pre-war...

Reviewed in issue 7/1993

Review of Lord, J To Notice Such Things

Lord, J To Notice Such Things

“He was a man who used to notice such things” is the last line of the Thomas Hardy poem “Afterwards”,...

Reviewed by Mike Ashman in issue: 5/2010

Review of Verdi Macbeth

Verdi Macbeth

When these two sets first appeared in 1976, it was a close-run thing which to prefer, and I still find...

Reviewed by Alan Blyth in issue: 9/1986

Review of Shostakovich The Golden Age

Shostakovich The Golden Age

For sustained inspiration Shostakovich's first ballet score is no rival to Prokofiev's Romeo and Juliet; neither is it as even...

Reviewed in issue 5/1994

Review of Doris Soffel sings Lieder

Doris Soffel sings Lieder

Starting with an urgent Gretchen (has the wheel ever spun so fast?), the recital proceeds via an intense Szene aus...

Reviewed in issue 11/1998

Review of French Orchestral Works

French Orchestral Works

For La mer there are qualities here that seem very French: suppleness of rhythm; a certain grace and fluidity of...

Reviewed by John Steane in issue: 12/1992


 

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