Why make a high-end CD player in 2025?
Launching a high-end CD player may seem like a brave endeavour in what is increasingly...
Schumann’s Cello Concerto – or, if we’re being really accurate, his Konzertstück for cello with orchestral accompaniment – represents a...
Reviewed by Charlotte Gardner in issue: 01/2025
CPO has long been at the forefront of making the music of Franz Schreker accessible to listeners, four of his...
Reviewed by Christian Hoskins in issue: 01/2025
It’s too easy, of course, to chide Beethoven’s loyal friend and one-time pupil Ferdinand Ries for what he was not....
Reviewed by Richard Wigmore in issue: 01/2025
Ning Feng emerges from the dreamlike haze of strings at the beginning of Prokofiev’s First Violin Concerto with a hint...
Reviewed by Edward Seckerson in issue: 01/2025
Kristian Bezuidenhout embarked on his series of Mozart piano concertos with the Freiburg Baroque Orchestra in 2012. By that time,...
Reviewed by Patrick Rucker in issue: 01/2025
Mozart’s horn concertos are a repertoire rite of passage for any player of the instrument. One recording – by Dennis...
Reviewed by David Threasher in issue: 01/2025
Is it wise for the controversial 20-year-old Yoav Levanon to try so hard to emulate Liszt – to the point...
Reviewed by Peter J Rabinowitz in issue: 01/2025
‘The Surprise’ might seem a superfluous title for a programme of Haydn symphonies. But these three works do each contain...
Reviewed by Richard Wigmore in issue: 01/2025
In their continuing series of orchestral works by Johann Friedrich Fasch, Philadelphia-based baroque band Tempesta di Mare are doing the...
Reviewed by Lindsay Kemp in issue: 01/2025
When David Patrick Stearns reviewed the first release on the Melbourne Symphony Orchestra’s own label – Debussy and Strauss orchestral...
Reviewed by Mark Pullinger in issue: 01/2025
Launching a high-end CD player may seem like a brave endeavour in what is increasingly...
'The forensic study of Monteverdi’s madrigals bears ripe fruit from four decades of philological...
Jed Distler delves into a massive collection focusing on the conductor’s later discography
Richard Whitehouse on a collection taking in the London Sinfonietta’s 1970s recordings
'A veritable treasure trove for enthusiasts'
Rob Cowan on three collections of vintage recorded performances
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.