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GOSS Landscape and Memory

For those familiar with his music, it’s often easy to forget that Stephen Goss’s output extends beyond a substantial body...

Reviewed by Pwyll ap Siôn in issue: 02/2025

War Silence: Rare Italian Piano Concertos

The Italian piano concerto features key works by Martucci and Sgambati well before Busoni’s seminal opus, this release filling out...

Reviewed by Richard Whitehouse in issue: 02/2025

Al-Bunduqiyya - The Lost Concerto

It was serendipity that I was assigned this review while in Venice. ‘Al Bunduqiyya’ is the Arabic name for the...

Reviewed by Mark Seow in issue: 02/2025

VIVALDI The Four Seasons (Pioro)

Here’s a creative take on Vivaldi’s The Four Seasons to add to the pile. Violinist Daniel Pioro has joined with...

Reviewed by Charlotte Gardner in issue: 02/2025

TIPPETT Piano Concerto. Symphony No 2 (Steven Osborne)

The opening of Tippett’s Piano Concerto (1953 55) is sheer poetic magic – a low C in the depths of...

Reviewed by Geraint Lewis in issue: 02/2025

MOZART Violin Concerto No 5. Piano Concertos Nos 3 & 14

This is the 11th volume of a series entitled ‘Next Generation Mozart Soloists’ undertaken by the Swiss Orpheum Foundation. The...

Reviewed by Patrick Rucker in issue: 02/2025

MOZART Piano Concertos (Khatia Buniatishvili. Dejan Lazić)

Dejan Lazić’s track record in Mozart is well established, as is his collaboration with Jan Willem de Vriend and the...

Reviewed by David Threasher in issue: 02/2025

MALAWSKI Orchestral Works (Smolij)

In Poland some people will recognise Artur Malawski’s name as that of the patron of the Podkarpacka Philharmonic in Rzeszów...

Reviewed by Aleksander Laskowski in issue: 02/2025

HIGGINS Horn Concerto; The Faerie Bride

You’d expect Gavin Higgins and Ben Goldscheider to strike special sparks off each other – a horn-player-composer steeped in brass...

Reviewed by Arnold Whittall in issue: 02/2025

HAYDN Symphonies Vols 32-35 (Johannes Klumpp)

Like the Transit of Venus or mild ale, final instalments of Haydn symphony cycles appear infrequently, which makes them worthy...

Reviewed by David Threasher in issue: 02/2025

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